Untitled (from the series Weak Force), 2016
Longing II, 2016
A concave deformation on the top of a table is full of water. The table inclines with intention to pour the water from it. One leg rests on the wall. Another one is in a glass that, instead of collecting the drips, carries even more the imbalance that makes it eminent to drop down the water. The piece remains in a prolonged limbo delaying the wait and, even static, we know that each element contributes to the tension that keeps the piece stable.
Untitled, Factory of disposable feelings, Luanda, Angola, 2017
Factory of disposable feelings (2019) results from a long-term interaction with the specifics of place and context – a textile factory “Irmãos Carneiro”, located on the outskirts of Luanda – and suggest multiple ways to engage with history and over time. Again, debris and discarded objects take centre stage, referring to the past and to simultaneously embody the present and the uncertainty of the future.
Untitled, Factory of disposable feelings, Luanda, Angola, 2017
Factory of disposable feelings (2019) results from a long-term interaction with the specifics of place and context – a textile factory “Irmãos Carneiro”, located on the outskirts of Luanda – and suggest multiple ways to engage with history and over time. Again, debris and discarded objects take centre stage, referring to the past and to simultaneously embody the present and the uncertainty of the future.
Obra 17
Obra 16
Obra 15
Obra 14
Obra 13
Obra 12
